We’ve know for a while that Canon would be releasing a trinity of VCM L prime lenses, and when the Canon RF 35mm f/1.4L VCM, Canon confirmed that they would be coming in their presentation for the Cinema EOS C400 and RF 35mm f/1.4L VCM.
We have been told that the next two lenses, the RF 24mm f/1.4L VCM and RF 50mm f/1.4L VCM are scheduled to be announced in late September of this year. Availability of both lenses will come soon after.
We’re told that there are also two additional lenses scheduled for later this year, one is expected and one is not, and we’ll have more on that at a later date. It’s likely that neither lens will be ready to ship before 2024 closes out.
These four lenses may not be everything being announced in 2024, but we’re getting close to Q4, which is the time to sell what you have and we all know that Canon has a a few camera bodies to make and get into people’s hands.
One set of lenses we continue to wonder about are the autofocus tilt-shift lenses. We think it’s likely that the EOS R5 Mark II and EOS R1 need to be out there in good quantities before Canon updates the firmware in the cameras to utilize the full feature set of the AF tilt-shift lenses. Yes, the lenses will work on any RF mount camera, but there are likely going to be some cool in-camera automation features never before seen.
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Me too, while the 50 1.2L is awesome, I'll wait for the VCM.
You said that the RF15-35L successor might have a different focal range. Does that mean it'd be narrower, for example, 15-30, perhaps making the RF15-30L Z a little more compact than the relatively large and heavy RF15-35L IS USM from 2019? And will Canon use VCM for all their upcoming lenses?
The 50 Art, with adapter, is still lighter, and not a lot bigger.
Give me a 50 f/1.4, a 28 f/1.8 or f/1.4, a new and smaller 24-70mm f/2.8, and I’m all set with RF lenses.
sharper than even the 24mm 1.8 - similar design with small front opening and huge rear element (like the EF-M 22mm 2.0, RF 35 1.8, RF 24 1.8 etc. and the RF 35 1.4L)
otherwise optically compromised (awkward bokeh likely with onion rings, LoCA, strong vignetting), but parfocal and small&light.
I\'m just about okay with the 35mm 1.4L - although the green fringing drives me nuts in some images - and it cannot be fixed in post.
The 24 1.8 is a non-starter for me as its bokeh is busy and for astro the strong vignetting is also bad.
... doesn\'t bode well for the 24 1.4.
The questions is...what else? Maybe a 16mm f1.4? 21mm f1.4 or maybe a 85mm f1.4?
Its sharpness and contrast are incredible!
If the RF is as good...
I hope they keep the IS instead of making it tiny.
It can still be a lot smaller than the f/1.2 versions.
Maybe they should also make an RF 85 f/1.8 VCM that is small, light, and gimbal friendly.
No matter how good the f/1,2 lenses are, I cannot imagine carrying these bricks during mountain hikes along with a UWA and a tele zoom.
Leica's f/2,8 were always as good as the f/1,4 versions, sometimes even better, yet much smaller and lighter.
OK, I was only dreaming...:rolleyes:
In other words, to make a high-resolving 50/1.4, they needed to throw away the tried-and-true double Gaussian symmetric formula and go with totally new-school, computer-conceived lenses. And once they did so, the elements were wide-enough diameter that it was nominally f/1.2 in the exact center even though far from it for most of the image.
But the RF50/1.8 seems a lot better to me than most people are crediting it for. Search the forums for SHOOTOUT 50mm to see the results of my hand-holding tests on a 55lp/mm target: even at 1/2 to 1/15 sec handheld it delivers this resolution pretty easily, and that's just two-pixel wide lines on the R5. How many people actually need to show 2-pixel-wide lines on an R5? Half the people on this forum argue 22MP is enough and I'm not sure how much better the RF50/1.2 actually even is on a 22MP sensor than the RF50/1.8.
I'd call that very disappointing.
Thank you in advance....
cayenne